Designed in multiple scenes, Realness - Cloud and Dust is a virtual fantasy of a symbiosis between the human being and his natural environment.

Sandrine Deumier is a French artist working in the field of performance, poetry and video art whose work investigates post-futurist themes through the development of aesthetic forms related to digital imaginaries.

The most important resource for recycling that shows the level of development of a country is paper waste. It is possible to recycle a paper six times. Among the advantages of recycling are saving energy and water in addition to economical benefits such as newly created jobs and increased employment. The recycled font design project comes from this idea.

Born and raised in Istanbul, Ebru Winegard is a filmmaker, graphic designer, and visual artist. A long time educator in the film, television, and design departments of Turkish Universities, Ebru received her Master's from the prestigious Istanbul University in 2019. Ebru is now based in Toronto.

Hamburger phones and Fish selfie sticks for supper alongside an empty family dinner table as a young teenager becomes swamped in their technological fantasy. This short campaign raises awareness about mental health and the disposability and consumption of technology as if it were fast food and fries. Frying our minds and the planet.

Lauren Pringle is a director signed to Familia Films and an award winning producer (The Mess - Dorothy Allen Pickard - Open City Docs Best UK Short, YDA Cannes). Her debut film as a Director was nominated for Best Dance at Aesthetica Film Festival, UK. She has also recently been shortlisted for Best Experimental Film in the Berlin Commercial Film Festival with her latest short If I Was To Surrender.

In this video, natural imagery unfolds into a surreal cycle of destruction, death, and rebirth. The fragmented footage, taken from three coastlines in the United States, is edited into new forms - accentuating nature’s close interplay with itself and us. The soundtrack, taken from the ambient sound of the source footage, is manipulated and layered with synth drones - reinforcing the intense and uncanny relationship between memory and reality. By dramatizing these natural moments a light is cast on our environmental impact and the overall power, horror, and beauty of nature itself.

Mikey Peterson develops and teaches courses at the School of the Art Institute of Chicago and Snow City Arts. His work has shown at the Museum of the Moving Image in New York City; Chicago’s Museum of Contemporary Photography; the Chicago Cultural Center; the University of Chicago’s Smart Museum; Chicago’s Zhou B Art Center, Rome’s MAXXI Museum and more

Viewing Password: aguapotable

“There is nothing in a caterpillar that tells you it’s going to be a butterfly.” R. Buckminster Fuller The main trigger concept is growth that incorporates degrowth (or vice versa). Chronoscope is apparently an entropic way to see the past, but what if the past tells us more about the future than we usually think? Past and future are interconnected in this fleeting present. Ephemeralization is not the answer maybe, but this ephemeral symbol, the butterfly, stands for self-organizing, self-regulated, self-sufficient – but never fixed or rigid – systems in nature. It is a symbol of permanent metamorphosis. The split-screen reveals two complementary visions: a chiastic structure, between a flashback and a flash-forward, that resembles the cyclical pattern of life.

Sara Bonaventura is an Italian visual artist and educator. She works at the intersection between visual and media arts, lens based and new media. Her video works have been screened worldwide; at the NYC Anthology Film Archives, the San Francisco Independent Short Film Festival, the Ann Arbor Film Festival, the Miami New Media Festival, at Rome MACRO Museum, the Cinemateca do MAM in Rio for Dobra Festival, the Boston Cyber Arts Gallery and more. She won the Veneto Region Award at the 10th LFF and a merit for the Sino per NIIO Illumination Art Prizes; she has been selected for several residencies, ie by Joan Jonas at Fundacion Botin (ES).

Anthropogenic Horizon is a single-channel video work exploring the concept of the Great Acceleration and the atomic origins of the Anthropocene. The video combines footage of the Operation Dominic nuclear test (Christmas Island, 1962) and the Ilulissat Glacier Calving Event (Western Greenland, 2008) to create a metaphorical anthropogenic landscape. This work was part of the installation “Fragments of the Acceleration” which was developed through a combination of archival research, research into scientific, historical, and cultural perspectives of the Great Acceleration, the Anthropocene, and the climate crisis, as well as an exploration of contemporary perspectives of the climate crisis as represented in broadcast media. The larger installation references the history of the Great Acceleration, the development of climate science, and speaks to the political urgency of our present moment.

Brandon Bauer, MFA, is an associate professor of art at St. Norbert College in De Pere, WI, U.S.A. He uses art as a space for ethical inquiry exploring issues relating to terrorism, nuclear abolition, and the climate crisis by examining critical histories embedded in media ephemera. His work utilizes photography, video, digital graphics, and installation. Brandon’s work has been exhibited and screened internationally including at the Aces(s) electronic media festival, Pau, France; the European Media Arts Festival, Osnabruck, Germany; the Carnival of e-Creativity, Shillong, India. He has published in journals such as Media-N, Hz, and Arts & International Affairs.

A person’s life is accompanied by subtle melodies coming from unknown places. These melodies are few, and all of them could fit on one side of a conventional stereo vinyl. The music and rhythms of the world accompanies all of us throughout life, so people most often do not perceive these melodies, just like a person who lives near the ocean stops hearing the noise of the surf. But the choir of stars is singing not in vain, and at times its voices reach the human consciousness.

Water is the most important element for life, and It comes in a huge variety of shapes and forms: from clouds to rivers, to ice, to sea. There is an important link between human being and water. We are bounded to It's path, no matter how far We can walk or how deep our society can evolve and grow up.

Roberto Turani is a director based in Milan. After attending Interior design degree at Politecnico, studied fine arts in Bologna. While working with commercial video as professional, Video art is his field of interest. He is also music composer and sound designer. Sound it’s as important as images, and his research is all about creating a strong relationship between what we see and what we hear.

"This Meadow" said the old man, "is the source of the river." (The Weeping Meadow, 2004)

Abdullah Harun ILHAN was born in Turkey in December, 1994, and has been into visual arts since he was a child. He has been working as a photographer, graphic designer, 3d modeler, sound designer and filmmaker. He held his first official photo exhibition in 2012 when he was 17 and studied Film in Turkey (Bahcesehir University, Istanbul Media Academy), in USA (New York FilmAcademy, BAY Atlantic University DC), UK (University of Kent), South Korea(Kyungsung University) and Qatar (Qatar University). He has made more than 50 short films throughout his life in more than forty countries. His films have been awarded and screened in various film festivals around the world. He intends to visit every country in the world. He is interested in etymology and he speaks Turkish, English and Arabic. Currently, he holds a Master’s degree in Cinema and Philosophy fields in the theme of "Time and Synchronicity".

Albert Einstein once predicted, "If the Bee Disappeared Off the Face of the Earth, Man Would Only Have Four Years Left to Live." The artwork "Do Worry, Kyoko (The Spaceship Cannot Withstand)" shot 3 short videos of bees in Central Park, New York. Computer algorithm created musical notes from pixel data (binary = 0, 1) of the video images and played by computer piano. Sustainability is not only one region issue. It must be considered global. The algorithm rewrote the original binary data to ASCII. It was assigned to 128 European characters and symbols. They were read by the OS's speech function of three languages, Kyoko in Japanese, Audrey in French, and Anna in German. The alphabet was read in their European languages, and non-European languages follow the English pronunciation. The numbers were read in their own languages. Some symbols could not be read.

Kenji Kojima is a visual artist. He has been experimenting with the relationships between perception and cognition, technology, music, and visual art using computer technologies. He was born in Japan and moved to New York in 1980. He painted contemporary tempera paintings that were medieval art materials and techniques. A personal computer was improved rapidly during the ’80s. In the early 90's he switched his artwork to digital. He studied computer programming by himself. His early digital works were archived in the New Museum - Rhizome, New York. He developed the application "RGB MusicLab" which converted music from a still image in 2007. He has created an interdisciplinary artwork “Techno Synesthesia” series exploring the relationship between visual and audio sensibilities. The project "Techno Synesthesia" has been exhibited in New York, and media art festivals worldwide, including Europe, Brazil, Middle East, India, Asia, and online art exhibitions.

In my video we see crows fighting for survival on a frozen pond. The winner will get a plastic bag for dinner. The footage for this film was shot in 2011, but unfortunately, it is still relevant. In 2020 the video participated at “Video Art Miden” online festival and Mink Festival. Earlier it was shown at “Wake Up - Climate Change!” curated by Wilfried Agricola de Cologne and my personal exhibitions at Kulturpalast Wedding International and institut für Alles Mögliche in Berlin.

Alina Vasilchenko is an artist based in Moscow, who studied filmmaking in the oldest Russian film studio at "Mosfilm Filmmakers Course" learning from professionals who worked with such masters as Tarkovsky, Konchalovsky, Paradjanov.

From There & No-where Chronicles is a collection of animated short stories depicting an imaginary outskirt. Roads, roundabouts, shopping areas, and pastureland embody here a certain idea of "beyond the outskirts"

Jérémy Griffaud lives and works in Nice. In 2015, he created the artists’ collective VeryHighStuff (VHS), a project dedicated to video and scenography. This project creates international exhibitions every year. That same year, Griffaud also joined the fanzine Endemic. In 2017, he graduated from the École Supérieure d’Arts Plastiques de la ville de Monaco and obtained a National Diploma of Plastic Expression (Master 2 Art). He also joined the musician Benjamin Fincher in his project ITOLADISCO to make live video performances. By questioning the issues of his time, Griffaud parallels, for example, the preservation of biodiversity and the body-built staging of oneself as in the projects Enlarge Yourself and Get Brawn. By hijacking clichés anchored in the collective imagination, Griffaud produces absurd or parodic works that draw on the contours of his singular universe and a fantasy world.

During my stay in NAC (Nida Art Colony) as a resident in December 2020, there was an tap-water accident - the water supply were canceled for a while. One option was a store 2 km away. I made quite primitive tool for carrying drinking water from local supermarket towards my apartment - Water Yoke. I tried to understand on where from and how water would be brought in the contemporary world of capitals.

Andrej Polukord is an artist based in Vienna and Vilnius. A graduate of the Academy of Fine Arts and co-recipient of the 2016 Kunsthalle Prize Vienna, draws on painting, installation, performance, and video art to create unpredictable environments and absurd situations that produce double meanings and ambiguity: “What especially interests me is creating a feeling of surprise and unpredictability. Equally important to me are double meanings and ambiguities, which above all play a crucial role in my performances. The absurd liberates us from the seriousness that otherwise always sets the tone in our life. And performance should have a close relationship to life; that’s the only way to make it very emotional and understandable.” Polukord usually finds creative inspiration in the objects around him and observed situations. They become a point of departure for staging surprising actions or creating extraordinary objects intended to shake spectators out of the rut of traditional thinking and direct their attention to the hidden sense of events and ambiguity of the world.

The protagonist, Pihu, is a young girl from Gazipur, India, which houses one of the largest landfills in the world. Pihu's life is turned on its head when she is diagnosed with stage-2 lung cancer. The film's intent is to narrate the impact of a huge garbage mountain on the health and quality of life of people living around it. The film also portrays the inner conflicts of the protagonist and her concerns about the people of Gazipur.

It's a thought-provoking song and film that illustrates the present pandemic crisis and new ways to comprehend and handle it.

Robodrone Production is a small company that writes the music, directs it, and does all the creative work. He has songs on the radio in the UK. Hashtag Queens, which can be found on Spotify, is also his creation.